From large-scale orchestral works to intimate contemporary performances, the 2026 Aldeburgh Festival programme captures the spirit that has defined the festival for decades: world-class artistry alongside bold new voices.
One of this year’s highlights is the appointment of composer, conductor and pianist Ryan Wigglesworth as Featured Artist. A long-standing part of the Aldeburgh Festival family, Wigglesworth curates performances across the festival, from chamber music and song to the premiere of a new commission written for violist Lawrence Power and the Knussen Chamber Orchestra. His residency reflects the collaborative and deeply personal atmosphere that continues to make Aldeburgh so distinctive.
At the heart of the programme is Debussy’s haunting opera Pelléas et Mélisande, conducted by Wigglesworth and directed by Rory Kinnear in a semi-staged performance with the BBC Scottish Symphony Orchestra. Featuring acclaimed soloists including Sophie Bevan and Jacques Imbrailo, the production brings together dreamlike storytelling, shimmering orchestral colour and exceptional vocal performances. A pre-performance talk with Wigglesworth and Kinnear offers audiences a deeper insight into Debussy’s only completed opera and its enduring influence.
The festival’s commitment to nurturing emerging talent continues with CAPPA at The Pumphouse, where Britten Pears Young Artists present a series of newly created works developed during the Composition, Alternative Performance and Performance Art course. Performed in the intimate industrial setting of The Pumphouse alongside experimental ensemble House of Bedlam, the evening promises something immersive, unexpected and entirely unique to Aldeburgh.
Internationally renowned soprano Lise Davidsen also joins the programme for an evening of Schubert songs with pianist James Baillieu. Known for the power and emotional depth of her performances, Davidsen brings fresh intimacy to Schubert’s exploration of love, longing and mortality in what is set to be one of the festival’s most moving recitals.
Britten’s legacy remains woven throughout the programme, particularly in Welcome to the Orchestra, a vibrant celebration of two of his most joyful late works. Performed by the BBC Scottish Symphony Orchestra with narration from Rory Kinnear, the concert pairs the much-loved Young Person’s Guide to the Orchestra with Welcome Ode, written for the Queen’s visit to Ipswich in 1977. Bringing together local schools, youth choirs and professional musicians, it perfectly captures the festival’s longstanding connection between community, education and world-class performance.